Between 1982 and 2007, the Archives of Traditional Music edited and printed the quarterly journal/newsletter ReSOUND. An invaluable resource for ethnomusicologists, it covers new acquisitions at the Archives, current field recordings being made, and issues regarding the preservation of materials. A table of contents for the printed journal is listed below. These issues are available through IU Scholarworks, the institutional repository for IU.

Volume 1, Number 1, January 1982

  • "From the Director" by Ronald Smith
  • "The Collection from the Comoro Islands" by Harriet and Martin Ottenheimer
  • "The Bogoras and Jochelson Siberian Collection" by Louise S. Spear
  • "Have a Hoagy" by Amy E. Novick

Volume 1, Number 2, April 1982

  • "From the Director" by Ronald Smith
  • "Natalie Curtis Burlin at the Hampton Institute"
  • "Folk Art in Indiana" by Rebecca C. Rueter
  • "The Chinese Collection of Dr. Berthold Laufer" by Marilyn B. Graf

Volume 1, Number 3, July 1982

  • "From the Director" by Ronald Smith
  • "The Ellingson Collection of Asian Music" by Amy E. Novick
  • "The Robert O. George Collection" by Amy E. Novick
  • "Play It Again, Sam (In the Archives Listening Library)" by Louise S. Spear

Volume 1, Number 4, October 1982

  • "From the Director" by Anthony Seeger
  • "Music from Malaysia" by Patricia Matusky and Muang Yala
  • "Music in the Pine Barrens" by Marilyn B. Graf
  • "The Sound Chest Treasures from the Archives of Traditional Music" by Louise S. Spear

Volume 2, Number 1, January 1983

  • "From the Director" by Anthony Seeger
  • "Oral History of Waverly Plantation and Bay Springs Cotton Mill" by David F. Barton and Betty J. Belanus
  • "American Ethnologist Frank Gouldsmith Speck (1881-1950)" by Nancy Cassell

Volume 2, Number 2, April 1983

  • "From the Director" by Anthony Seeger
  • "Polynesian Music in the Old Style" by Richard Feinberg
  • "Young But Not Necessarily Foolish" by Amy Novick

Volume 2, Number 3, July 1983

  • "From the Director" by Anthony Seeger
  • "The Tamburitza Tradition" by Richard March
  • "The Surinam Collection of Melville and Francis Herskovits" by Marilyn B. Graf

Volume 2, Number 4, October 1983

  • "From the Director - Time: Cycles and Permanence" by Anthony Seeger
  • "The Field Recordings of Lawrence Gellert" by Bruce Conforth
  • "Social Classification of Tuareg Music" by Caroline Card
  • "Archives Received N.S.F. Grant" by Anthony Seeger and Louise Spear

Volume 3, Number 1, January 1984

  • "From the Director" by Anthony Seeger
  • "Music and Poetry from Somalia" by John William Johnson
  • "Cylinder Recordings from Carl Lumholtz' 'Unknown Mexico'" by Louise S. Spear
  • "Recording Intellectual History" by Carol Inman

Volume 3, Number 2, April 1984

  • "From the Director" by Anthony Seeger
  • "The McIntosh Collection of Southern Illinois Folk Music and Folklore" by David H. McIntosh
  • "The M.G. Chandler Collection: A Case Study for Reappraisal of Archival Materials" by Carol F. Inman
  • "Restoring the Past: Technical Developments in Cylinder Repair" by Bruce Harrah-Conforth

Volume 3, Number 3, July 1984

  • "From the Director - Is it Traditional? Is it Music?" by Anthony Seeger
  • "Music from the Venezuelan Amazon" by Jonathan Hill
  • "The Finnish Collections at the Archives of Traditional Music" by Carl Rahkonen

Volume 3, Number 4, October 1984

  • "From the Director - Responding to an Increasing Demand" by Anthony Seeger
  • "Recording in Cuba in 1941" by Harold Courlander
  • "Ethnographic Anomalies in Cylinder Recordings" by Nancy A. Cassell

Volume 4, Number 1, January 1985

  • "From the Director - We Are All Producers" by Anthony Seeger
  • "In Pursuit of a Private Genre" by Judith L. Seeger
  • "Westwood One Donates Radio Transcriptions of Black Popular Music" by Portia K. Maultsby
  • "Confessions of a Collector" by Thomas F. Barton

Volume 4, Number 2, April 1985

  • "From the Director" by Anthony Seeger
  • "J. Russel Robinson, 'The White Man with Colored Fingers'" by John Edward Hasse
  • "A Composer's Collection" by Amy E. Novick
  • "The Les Zacheis Jazz Collection" by Frank J. Gillis

Volume 4, Number 3, July 1985

  • "From the Director" by Anthony Seeger
  • "Songs of an Indiana Island: The Grecophon Record Company of Gary, Indiana" by Steve Frangos
  • "Cataloging Field Recordings on OCLC" by Mary Russel Bucknum
  • "The Music of Indiana: A Brief Bibliography" by John Edward Hasse

Volume 4, Number 4, October 1985

  • "From the Director" by Anthony Seeger
  • "Recording in Alabama in 1950" by Harold Courlander
  • "Archives to Receive Laura Boulton Collection"
  • "Bednarowski Jazz Collection Donated"
  • "Archives of the Languages of the World"

Volume 5, Number 1, January 1986

  • "George Herzog: Struggles of a Sound Archivist" by Carol F. Inman
  • "The Papers of George Herzog" by Marilyn B. Graf

Volume 5, Number 2, April 1986

  • "From the Director" by Anthony Seeger
  • "Nambiquara Recordings, 1967-76" by David Price

Volume 5, Number 3, July 1986

  • "From the Director - Contracts with Depositors" by Anthony Seeger
  • "Between the Songs" by Ruth M. Stone

Volume 5, Number 4, October 1986

  • "From the Director - Friends of the Archives" by Anthony Seeger
  • "The Gennett Record Company" by Sally Childs-Helton

Volume 6, Number 1, January 1987

  • "The Hoagy Carmichael Collection" by Mary Russell Bucknum
  • "Contracts With Patrons" by Anthony Seeger
  • "Resound, Volumes I-V Index to Authors and Subjects" by Marilyn B. Graf

Volume 6, Number 2, April 1987

  • "Recording in Eritrea, 1942-43" by Harold Courlander
  • "Didn't Know You Had It'" by Anthony Seeger

Volume 6, Number 3, July 1987

  • "Preserving the Archives of the Languages of the World" by Bonnie Urciuoli
  • "Speech and Music" by Anthony Seeger

Volume 6, Number 4, October 1987

  • "Ethnographic Cylinder Recordings of Whaling Captain George Comer (Part 1)" by Nancy Cassell McEntire
  • "From the Director" by Anthony Seeger

Volume 7, Number 1, January 1988

  • "Ethnographic Cylinder Recordings of Whaling Captain George Comer (Part 2)" by Nancy Cassell McEntire
  • "Help Us Review Folkways Records" by Anthony Seeger

Volume 7, Number 2, April 1988

  • "Singing for the Audience: Aesthetic Demands and the Creation of Oral Epics" by Susan S. Wadley
  • "On Changes and Continuities" by Anthony Seeger

Volume 7, Number 3, July 1988

  • "From the Director - Beginning Again at the Archives" by Ruth M. Stone
  • "Rags and Rolls: The Piano Roll Collection at the Archives of Traditional Music" by John McCall
  • "Piano Roll Summary" by Nan Volinsky

Volume 7, Number 4, October 1988

  • "From the Director" by Ruth M. Stone
  • "Some New York Recording Episodes, 1940-41" by Harold Courtlander

Volume 8, Number 1, January 1989

  • "Report from the Field Liberia, West Africa" by Ruth M. Stone

Volume 8, Number 2, April 1989

  • "Tracking Down a Legend: Guy B. Johnson's 'Lost' Cylinder Recordings" by Brenda Nelson-Strauss
  • "An Archive as a Teaching Center" by Ruth M. Stone
  • "Retrieving the Orson Welles' Radio Broadcasts" by Glenn Simonelli

Volume 8, Number 3, July 1989

  • "The Laura Boulton Collection" by Marlena Frackowski
  • "Report on a Field Collection from Sierra Leone" by Laura Arntson Harris

Volume 8, Number 4, October 1989

  • "Greek-American Family Record Collections: Family Record Collections as Research Sources" by Steve Frangos
  • "From The Director" by Ruth M. Stone

Volume 9, Number 1, January 1990

  • "From the Director - Technology in the Past and in the Present" by Ruth M. Stone
  • "Early Field Collections" by Mary Russell Bucknum and Marilyn B. Graf
  • "Selected Recent Accessions"

Volume 9, Number 2, April 1990

  • "Recording on the Hopi Reservation, 1968-1981" by Harold Courlander
  • "From the Director - The Video Revolution and Archives" by Ruth M. Stone

Volume 9, Number 3, July 1990

  • "Field Recording in the Heat of the Tropics and in War" by Barbra Seitz
  • "From the Director - A Century of Field Recording around the World" by Ruth M. Stone

Volume 9, Number 4, October 1990

  • "A Musical Renaissance in Brittany" by Lois Kuter
  • "From the Director - Changes and Development at the Archives" by Ruth M. Stone

Volume 10, Number 1, January 1991

  • "From the Director - The Politics of Creating and Archiving Fieldnotes" by Ruth M. Stone
  • "Ethnic Dance Music in Indiana Chosen for Selected List"
  • "Selected Acquisitions of 1990"
  • "1990 Gifts to the Archives"
  • "Guide for the Deposit of Field Recordings"

Volume 10, Number 2, April 1991

  • "Large Record Collectors: The Unrecognized Authorities" by Steve Frangos

Volume 10, Number 3, July 1991

  • "On The Trail of the Music Hunter: A Semester with the Laura Boulton Collection" by Peter R. Cooke
  • "From the Director - Musical Life in Southern Africa" by Ruth M. Stone

Volume 10, Number 4, October 1991

  • "The Last Great Indian Council: Joseph K. Dixon's 1909 Cylinder Recordings" by Marilyn Graf
  • "From the Director" by Ruth M. Stone

Volume 11, Numbers 1/2, January/April 1992

  • "Copyright and the Safeguarding of Folklore" by Isaac G. Kalumbu
  • "Internet Access to the ATM Catalog"
  • "Archives Recordings Available on Smithsonian/Folkways"
  • "Laura Boulton Fellowships Awarded"

Volume 11, Number 3, July 1992

  • "Basing a Book on the Archives' Collections" by George List
  • "NEH Awards Cataloging Grant to Archives"

Volume 11, Number 4, October 1992

  • "Paradox in the Recording and Documentation in African Music and Dance: Appropriating Motion and Action" by Ruth M. Stone

Volume 12, Numbers 1/2, January/April 1993

  • "From the Director - Shifting Control of the Technological Media" by Ruth M. Stone
  • "NEH Cataloging Grant Update" by Karen E. Jung
  • "The Music Hunter's Quarry from a Trotting Horse" by Rick Torgerson
  • "Portraits in Modern Greek Music: Roza Eskenazi" by Steve Frangos

Volume 12, Numbers 3/4, July/October 1993

  • "Professor Mark Hanna Watkins" by Richard D. Ralston

Volume 13, Numbers 1/2, January/March 1994

  • "From Wax Cylinders to Digital Storage: The Berlin Phonogramm Archiv Today" by Susanne Ziegler

Volume 13, Numbers 3/4, July/October 1994

  • "George Herzog: A Contemporary Look at His Work and Ideas (Part 1)" by Daniel Reed

Volume 14, Numbers 1/2, January/April 1995

  • "George Herzog: A Contemporary Look at His Work and Ideas (Part 2)" by Daniel Reed

Volume 14, Numbers 3/4, July/October 1995

  • "Director's Parting Address" by Ruth Stone
  • "Coming Full Circle" by Gloria J. Gibson
  • "Visiting European Sound Archives: An Informative Field Trip" by Mary Russell Bucknum
  • "From the Director" by Gloria Gibson
  • "Archive Hosts Diaspora Symposium"
  • "International Liberia Conference"

Volume 15, Number 1, January 1996

  • "A Contribution to the Discourse on 'Colonial Situations': Hastings Kamuzu Banda's Interaction with Ethnographers and Laypersons in America During the 1930's (part 1)" by Clara Henderson
  • "Announcing New Boulton Archivist"
  • "From the Director" by Gloria Gibson

Volume 15, Number 2, April 1996

  • "A Contribution to the Discourse on "Colonial Situations": Hastings Kamuzu Banda's Interactions with Ethnographers and Laypersons in America During the 1930's (part 2)" by Clara Henderson

Volume 15, Number 3, October 1996

  • "Laura Boulton as Musical Raconteur, 1935-1941" by Frank D. Gunderson
  • "Lee Nichols Visits Indiana University" by Mary Russell Bucknum
  • "Boulton Fellows at the Archives" by Gloria J. Gibson

Volume 16, Numbers 1/2, January/April 1997

  • "'We Come to You as the Dead': Ethnomusicology, Colonialism, and the Standing Rock Reservation 1868-1934" by Erik Gooding

Volume 16, Number 3, July 1997

  • "International Council For Traditional Music Celebrates 50th Anniversary" by Mary R. Bucknum
  • "From the Vault: The Latin American Collection of 78s" by Suzanne Mudge
  • "Ronald R. Smith: His Life and My Remembrances" by Gloria J. Gibson

Volume 16, Number 4, October 1997

  • "Reconstructing Laura Boulton's 1953 Expedition to Portugal: A Comparative Study of the Field Recordings from Cinfães and Issues of Transcription and Musical Change" by Luiz Fernando Lopes

Volume 17, Numbers 1/2, January/April 1998

  • "The Johnny Otis Collection" by Andrew Funke and Peter Knapczyk
  • "Archives Awarded NEH Grant" by Gloria J. Gibson

Volume 17, Number 3/4, July/October 1998

  • "Rhythms for a Common Purpose: A Look at Laura Boulton's Ethnographical Films on the Peoples of Canada During World War II" by Ilze Akerbergs
  • "The First Sound Recordings of Latvian Folklore" by Aldis Putelis

Volume 18, Number 1, January 1999

  • "Happy Birthday, ATM: Ethnographic Futures of the Archives of the 21st Century" by Anthony Seeger
  • "The Early Days of the Archives" by George List
  • "The Life of George Herzog" by Gabriel Skoog
  • "From the Director - Recent Events at the Archives" by Gloria J. Gibson

Volume 18, Number 2, April 1999

  • "Bessie Head" Interviewed by Lee Nichols

Volume 18, Numbers 3/4, July/October 1999

  • "Hoagy Carmichael: A Biographical Sketch" by John Edward Hasse
  • "From the Departing Director" by Gloria J. Gibson

Volume 19, Number 1, January 2000

  • "Philosophy, Practice, Product, and the Public Ethnomusicology of Laura Boulton" by John Fenn

Volume 19, Numbers 2/3, July/October 2000

  • "Laura Boulton: The Voice of an Early Public Sector Ethnomusicologist and her Publics" by Joan Zaretti
  • "Indiana University Appoints a New Archives Director" by Ruth M. Stone

Volume 19, Number 4, October 2000

  • "From the Director" by Daniel B. Reed
  • "Some Comments on Class Instruction in the Transcription of Music" by George List

Volume 20, Numbers 1/2, January/April 2001

  • "The Origins of Ethnographic Sound Recording, 1878-1892" by Patrick Feaster
  • "From the Director" by Daniel B. Reed

Volume 20, Numbers 3/4, July/October 2001

  • "The EVIA Digital Archive Project" by Alan Burdette
  • "From the Director - Outreach at the ATM" by Daniel B. Reed

Volume 21, Numbers 1/2, January/April 2002

  • "From the Arctic North to the Desert Southwest: Laura Boulton's Music Collecting Expeditions Among Native North Americans (Part 1)" by Christopher Geyer
  • "From the Director - Music and Culture of West Africa: Out of the Archives and Into the Light" by Daniel B. Reed

Volume 21, Numbers 3/4, July/October 2002

  • "From the Arctic North to the Desert Southwest: Laura Boulton's Music Collecting Expeditions among Native North Americans (Parts 2-4)" by Christopher Geyer
  • "From the Director - 'Our grandfathers are smiling on us today': Why Archives Matter" by Daniel B. Reed

Volume 22, Numbers 1/2, January/April 2003

  • "In the Convivial Glow" by John Holmes McDowell
  • "From the Director - A Return Trip to West Africa: Finding Konkoba" by Daniel B. Reed

Volume 22, Numbers 3/4, July/October 2003

  • "A Journey through Time and Tradition: Laura Boulton's Discovery of Cape Breton Fiddler Sandy MacLean" by Kathleen Elizabeth Lavengood

Volume 23, Numbers 1/2, January/April 2004

  • "La cueca sola: An Ethnomusicologist's Perspective on the AFDD Conjunto" by Ramón Bannister
  • "From the Director - ATM Receives NEH Grant for Sound Directions" by Daniel B. Reed

Volume 23, Numbers 3/4, July/October 2004

  • "The Influence of African American Religious Music Models on the Ghanaian Church by Alexander Akorlie Agordoh

Volume 24, Numbers 1/2, January/April 2005

  • "Sound Recordings and Ethnomusicology: Theoretical Barriers to the Use of Archival Collections (Part 1 of 2)" by Ronda L. Sewald
  • "From the Director" by Daniel B. Reed

Volume 24, Numbers 3/4, July/October 2005

  • "Sound Recordings and Ethnomusicology: Theoretical Barriers to the Use of Archival Collections (Part 2 of 2)" by Ronda L. Sewald
  • "From the Director - We Keep Getting Busier" by Daniel B. Reed

Volume 25, Numbers 1/2, January/April 2006

  • "Senufo Balafon Music (Part 1 of 2)" by Hugo Zemp

Volume 25, Numbers 3/4, October/December 2006

  • "Senufo Balafon Music (Part 2 of 2)" by Hugo Zemp

Volume 26, Numbers 1/2, January/April 2007

  • "Morning 'till Night, Cradle to the Grave: Laura Boulton, Recorded Sound, and Meaning in Music (Part 1 of 2)" by Alex Perullo

Volume 26, Numbers 3/4, October/December 2007

  • "Morning 'till Night, Cradle to the Grave: Laura Boulton, Recorded Sound, and Meaning in Music (Part 2 of 2)" by Alex Perullo

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