In Bloom at Wylie House: Louisa’s Garden

Louisa’s Garden exhibits explore the life of Louisa Wylie Boisen (1839-1930).

An outdoor scene in front of a historic white barn features adults in a garden looking at colorful quilts on a clothesline

The May 1 opening event hosted dozens of campus and community members to kick off the new exhibition alongside the student and staff curators responsible for the large-scale interpretation of Louisa Wylie Boisen.  Special thanks to instructor Claire Krienitz and the students in her Fibers Studio Dye Intensive course for creating a naturally dyed “quilted fence” art installation for Louisa’s Garden.

Now through the fall harvest season, IU Libraries Wylie House Museum’s Louisa’s Garden offers an expansive, yet personal look at Louisa Wylie Boisen (1839-1930) through exhibitions both inside the house and  through a new interpretive garden space. 

All admission, activities, and tours are always free at this 1835 historic home located at 307 E. Second St. 

Brave. Complex. Cherished.

A graphic features flowers and insects with words Louisa's Garden displayed

Louisa’s Garden was developed by several students and museum staff over about 18 months. In addition to a garden, physical items and digital presentations are used to explore ways the eldest daughter of IU professor Theophilus Wylie was “brave, complex, and still cherished today.”  

“I would like people to have a different take on historic figures and how we think of them and to see them as actual people,” said Melania Majowicz, Wylie House Museum generalist and outdoor interpreter since 2021. 

Majowicz and her collaborators read through Louisa’s letters and essays to better know her as a person. Louisa loved plants, flowers, and gardening. She was among the first female graduates of IU Bloomington, earning a bachelor’s degree in mathematics in 1871. Her uncommon legacy lives on in Wylie House Museum, where she resided many years. 

As a relative of IU’s first president Andrew Wylie, Louisa left her own unique mark. Museum visitors will glimpse her life experiences by walking through a garden with plants she was known to have grown, reading her essays and letters, and examining artifacts depicting her as a student, mother, teacher and horticulturist.   


A young person with long hair grasps a garden arbor festooned with exhibition signage

Wylie House Museum’s Sarah L. Luckay Fellow, doctoral candidate Kacie Alaga, pauses in the interpretive garden she developed for Louisa.

“We established three themes based upon elements of Louisa's personal life story, ” explained Kacie Alaga, Sarah L Luckay Fellow. Those elements are “her bravery in pursuing higher education and professional opportunities in horticulture, the complexities she navigated as a wife and mother in the 19th century, while being expected to adhere to certain societal roles, and the way her legacy is still cherished today just as she cherished the plants and flowers she wrote about so often.”

 “She was a very interesting character. When you think of women in history, often they are represented as oppressed, married, and not having a voice,” said Majowicz, adding that Louisa’s life differed from historical stereotypes.  Additionally, she points out, “We’re highlighting some people whose stories sometimes get overshadowed by IU’s first president and house namesake.” 

Louisa was known as a devoted mother of a daughter and son, a gardener who exchanged plants, an Indiana Horticultural Society member, and the first female horticulture judge appointed for the Chicago World’s Fair. She wrote extensively on gardening and horticulture and had published essays. She briefly taught at the University of Missouri. 

"What a desolate place this world would be without a flower!" 

Louisa Wylie Boisen

Majowicz said the exhibit started with interns combing through letters Louisa wrote to and received from her husband Hermann Boisen, her son Anton, and many others. With assistance from students in IU's "Folklore Archives in the Digital Age" class, they then cataloged references inside those letters to flowers and plants (and their meanings to her).

Alaga, an IU doctoral candidate in virtual heritage informatics and art history, developed the exhibit’s narrative structure, organized relevant quotations from Louisa’s letters and writings, wrote the online exhibit content, curated physical exhibit elements, and worked to design the physical garden. 

“I found it especially interesting how this shared love of gardening seems to have helped strengthen and sustain her marriage, even during periods that appear to have been personally difficult or emotionally trying,” she said.  “The garden creates a direct physical connection between Louisa’s writings, her personal experiences, and the historic space where so much of her life took place.”  

Image shows a mannequin attired in vintage clothing and posed inside a historic house museum
Online and in-person

Using ensembles from Indiana University's Elizabeth Sage Historic Costume Collection, Louisa's Closet represents Louisa’s life from 1870 through 1900 based on what she might have worn for important moments in her life.

Three people stand together in the main room of a historic house musuem, they are all interacting with fabric items of vintage attire.

Curators from IU’s Elizabeth Sage Historic Costume Collection shared examples of 19th century garments at the exhibit’s opening event. Five ensembles from the collection are displayed throughout Wylie House, serving as examples of the types of clothing Louisa would have worn for different facets of her life.  Maddie Guy, a graduate student in the Curatorship MA program and museum staff member, designed these displays.

IU Libraries Wylie House Museum gratefully acknowledges additional IU Bloomington partners who contributed to the exhibitions, including the IU Herbarium, and the Geography Department.

A wall gallery at Wylie House Museum shows a timeline and images of Louisa

With the assistance of David Orr, IU Libraries’ graphic designer,  a timeline of Louisa’s life is on display with original artifacts in the museum’s Education Center. Additional students contributed research and interpretive elements.  Emma Crim, a museum student staff member and incoming graduate student in the Master’s in Library Science program, developed a self‑guided tour of the Wylie property that highlights the site’s current trees and their connections to Louisa and her family.

A projected image displays an exhibition graphic to a seated crowd listening to a presenter at front

During the exhibition opening, lead student curator Kacie Alaga presented an overview of the year-long research and design process that culminated in Louisa’s Garden.

Much more to explore

Louisa, who lived from 1839 to 1930, spent much of her adult life at the Wylie House until her mother’s death in 1913. In 1859, her father purchased the house with five acres of land, previously owned by his half-cousin, Andrew Wylie. Her father, Theophilus Wylie was an IU professor of sciences and also an early leader of IU, serving as interim president on three occasions before becoming vice president from 1882-1884. Her mother, Rebecca, was an avid gardener who lived at the home until her death.

Contributors

  • Photography by

    Ann Shertz Photography

  • Michelle Crowe.
    Formatted for web by

    Michelle Crowe

    Assistant Dean, Engagement, Strategic Partnerships, and Communications

  • Authored by

    Barb Berggoetz

    Guest Journalist